All the oil paintings of Gerrit van Honthorst

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ID	Image	Painting(From A to Z)	Details
95805		Adoration of the Child	circa 1620(1620) Medium oil on canvas cyf
2439		Adoration of the Shepherds	1622 Wallraf-Richartz Museum, Cologne
56053		adoration of the shepherds	mk247 1622,oil on can vas 64x74 in,164x190 cm,wallraf richartz museum,cologne,germany
23993		Apolllo and Dianana (mk25)	1628
75543		At the Staatliche Museen	St Peter Released from Prison. At the Staatliche Museen, Berlin. Date 1616-1618 cyf
2441		Childhood of Christ	1620 The Hermitage, St.Petersburg
43139		Christ Before the High Priest	mk170 circa 1617 Oil on canvas 272x183cm
79814		Concert Detail	between 1626(1626) and 1630(1630) Medium Oil on canvas cyf
79714		daughter of Frederik Hendrik	1647 Medium Oil on canvas Dimensions 302 x 194 cm (118.9 x 76.4 in) cyf
67313		den tvivlande thomas	se
84324		Der verlorene Sohn	1623 Medium Oil on canvas Dimensions 125 x 157 cm (49.2 x 61.8 in) cyf
79062		Friedrich Wilhelm	1647 Medium Oil on canvas Dimensions 302 x 194 cm (118.9 x 76.4 in) cyf
45662		Frobliche company	mk186 1622 Munchen, old Pinakothek
80168		Henrietta Catharina	1647(1647) Medium Oil on canvas Dimensions 263.5 x 347.5 cm (103.7 x 136.8 in) cyf
79540		Merry Fiddler	1623 Medium Oil on canvas Dimensions 107.2 x 88.3 cm (42.2 x 34.8 in) cyf
83219		Portrait of Amelia van Solms	1630s Medium Oil on canvas Dimensions 73.4 x 60 cm (28.9 x 23.6 in) cyf
76742		Smiling Girl	Date 1625 Medium Oil on canvas Dimensions 31 15/16 x 25 5/16 in. (81.2 x 64.3 cm) cyf
2437		The Concert	1624 Musee du Louvre, Paris
2440		The Concert	1625 Galleria Borghese, Rome
76760		The Concert	Oil on canvas, 168 cm x 178 cm cyf
20358		The Concert (mk05)	Canvas,66 1/4 x 70''(168 x 178 cm).An overmantel from the Palace of Nordeinde,The Hague.From the collection of the Stadhouder,The Hague,1795 INV
76539		The Concert Detail	1626 - 1630 Medium Oil on canvas cyf
85589		The Denial of St Peter	1612-1620 Medium Oil on canvas Dimensions 150 x 197 cm (59.1 x 77.6 in) cyf
21721		The Incredulithy of St Thomas (mk08)	c.1620 Oil on canvas. 125x99cm Madrid,Museo del Prado
33689		The Incredulity of St Thomas	mk86 c.1620 Oil on canvas 125x99cm Madrid,Museo del Prado
95466		The Liberation of St Peter	between 1616(1616) and 1618(1618) Medium oil on canvas cyf
2438		The Merry Fiddler	1623 Rijksmuseum, Amsterdam
78855		The Merry Fiddler	1623 Medium Oil on canvas Dimensions 107.2 x 88.3 cm (42.2 x 34.8 in) cyf
2436		The Tooth Puller	1628 Musee du Louvre, Paris
20356		The Tooth Puller (mk05)	1628 Canvas,51 1/4 x 73 1/4''(130 x 186 cm).Acquired in 1930
20955		Utrecht (mk05)	1590-1656 Christ in the Carpenter's Shop ca 1620 (Inv No 5276)Oil on canvas 54 x 73''(137 x 185 cm)(Ex coll.P.P Durnoi,Leningrad 1925)
81788		Willem III op driejarige leeftijd in Romeins kostuum	1654(1654) Medium Oil on canvas Dimensions 116 x 93 cm (45.7 x 36.6 in) cyf

Gerrit van Honthorst
1590-1656 Dutch Gerrit Van Honthorst Galleries Gerard van Honthorst (November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century. Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes. The queen of Bohemia, sister of Charles I of England and electress palatine, being in exile in the Netherlands, gave Honthorst her countenance and asked him to teach her children drawing; and Honthorst, thus approved and courted, became known to her brother Charles I, who invited him to England in 1628. There he painted several portraits, and a vast allegory, now at Hampton Court, of Charles and his queen as Diana and Apollo in the clouds receiving the duke of Buckingham as Mercury and guardian of the king of Bohemia's children. Charles I, whose taste was flattered alike by the energy of Rubens and the elegance of Van Dyck, was thus first captivated by the fanciful mediocrity of Honthorst, who though a poor executant had luckily for himself caught, as Lord Arundel said, much of the manner of Caravaggio's colouring, then so much esteemed at Rome.